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Results 121 - 135 of 182 for "glyph C"
Key:  MCO 10-361067
Actual Location:  Museum of Cultures of Oaxaca, City of Oaxaca, Mexico (exhibited).
Provenance:  San José Mogote, Oaxaca.
Measurements:  aprox. 15 cm.
Chronology:  Tani 200 - 350 AD
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Glyphs:  A glyph C in the headdress.

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Key:  MCO s/n 3
Actual Location:  Museum of Cultures of Oaxaca, City of Oaxaca, Mexico (exhibited).
Provenance:  Unknown
Chronology:  Niza 100 BC - 200 AD
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Glyphs:  A glyph C in the headdress.

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Key:  CB 3
Actual Location:  Bustamante Vasconcelos Foundation, Oaxaca City, Oaxaca, Mexico.
Collection:  Mr. Manuel J. Bustamante Vasconcelos
Provenance:  San Juan Atepec, District of Ixtlán de Juárez, Oaxaca (communication with Mr. Bustamante).
Measurements:  41 x 32 cm.
Color:  Grey clay
Chronology:  Peche 500 - 600 AD
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Glyphs:  A glyph C in the headdress.

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Key:  CB 4
Actual Location:  Bustamante Vasconcelos Foundation, Oaxaca City, Oaxaca, Mexico.
Collection:  Mr. Manuel J. Bustamante Vasconcelos
Provenance:  Unknown
Measurements:  15 x 8.5 cm.
Color:  Grey clay
Chronology:  Xoo 600 - 800 AD
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Glyphs:  A glyph C in the headdress with a glyph E superimposed.

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Key:  CB 5
Actual Location:  Bustamante Vasconcelos Foundation, Oaxaca City, Oaxaca, Mexico.
Collection:  Mr. Manuel J. Bustamante Vasconcelos
Provenance:  Unknown
Measurements:  22 x 16.5 cm.
Color:  Grey clay
Chronology:  Peche 500 - 600 AD
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Comments:  On the back of the broken headdress, which is the hair falling on the figure's shoulders, a design of alligator's eyes is engraved. The front part of the headdress probably had a glyph C.

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Key:  CB 6
Actual Location:  Bustamante Vasconcelos Foundation, Oaxaca City, Oaxaca, Mexico.
Collection:  Mr. Manuel J. Bustamante Vasconcelos
Provenance:  Unknown
Measurements:  28.5 x 18 cm.
Color:  Covered in bright red pigment.
Chronology:  Peche 500 - 600 AD
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Glyphs:  A glyph C in the headdress.

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Key:  MNA 6-1530
Actual Location:  National Anthropology Museum, Mexico City, Mexico (exhibited).
Collection:  Fernando Sologuren #70
Registration:  6-1530
Provenance:  "La Fe", Ejutla, Oaxaxa.
Measurements:  16 cm.
Color:  Grey clay
Chronology:  Xoo 600 - 800 AD
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Reference:  Caso and Bernal 1952: 43, fig. 54; Marcus 1982: 346, fig. 9.13 (drawing)
Comments:  This piece has been restored and now, the five vessels attached to the back are complete.
Glyphs:  A glyph C in the headdress.

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Key:  SMI 214992
Actual Location:  Smithsonian Institution, Washington D.C., United States.
Collection:  Louis Gustave Bellón?; E.O. Matthews. Acquired by the Museum on 19 March 1902.
Registration:  Cat. 214992; Acc.# 39096.
Provenance:  San Lorenzo Albarradas, District of Tlacolula, Oaxaca (according to Bellón)
Measurements:  30 x 18 cm.
Color:  Grey clay with traces of red pigment.
Chronology:  Xoo 600 - 800 AD
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Reference:  Boos 1968: 23, plate II.
Comments:  Effigy with Cocijo mask sitting on base. Photographs show that Louis Gustave Bellón had three of these effigies in his collection, nos. 303, 27 and 28. All of them are more complete than the Smithsonian urn which is missing the left hand. Therefore there were probably at least four objects in this set.
Glyphs:  A glyph C in the headdress.

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Key:  SLAM 1235:1983
Actual Location:  Saint Louis Art Museum, Saint Louis, Missouri, United States.
Collection:  Valetta Malinowska; Morton D. May
Registration:  1235:1983 / former loan number 1970.101
Provenance:  Unknown
Measurements:  30.5 cm.
Color:  Beige clay
Chronology:  Tani 200 - 350 AD
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Comments:  Representation of Cocijo.
Glyphs:  A glyph C in the headdress.
Dating:  Shaplin and Zimmerman, 1978, TL no. 50 (530 rads - authentic).

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Key:  MFR 1225
Actual Location:  Frissell Museum, Mitla, Mexico.
Collection:  Howard Leigh (date of purchase: 1954)
Registration:  MFR 1225 / INAH 3313
Provenance:  Suchilquitongo, Oaxaca.
Measurements:  78 x 52 cm.
Color:  Grey clay with traces of red.
Chronology:  MA IIIB (Howard Leigh, MFR card 1225); Peche 500 - 600 AD
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Reference:  Boos 1966:99; Boos 1966: plate LXXXIX.
Comments:  This monumental vessel is part of a series of four. Three are at the Frissell Museum (catalog numbers: 1225, 927 and 1240). This last piece is not complete, and only the head remains. The fourth piece is located in the Gardiner Museum in Canada (GM 83.1.179). The human figure represented is wearing an alligator's mask. While he was acting curator of the Frissell Musem, Howard Leigh ilegally sold one of the objects and had it removed from Mexico. Possibly he sold it to a man named "Davis" in New Orleans, United States. The piece was later sold to the Canadian George C. Gardiner through Sotheby Parke Bennet in 1975.
Glyphs:  A glyph C in the headdress. The alligator's mask corresponds to glyph V.

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Key:  MNA t/104, 3W
Actual Location:  National Anthropology Museum, Mexico City, Mexico.
Provenance:  Tomb 104, 3 W, Monte Albán, Oaxaca.
Measurements:  16 cm.
Chronology:  MA IIIB (Caso and Bernal, 1952); Peche 500 - 600 AD
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Reference:  Caso and Bernal 1952: 133, fig. 217
Glyphs:  A glyph C in the headdress.

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Key:  UBM CO1350
Actual Location:  Übersee Museum of Bremen, Germany.
Collection:  Stallforth, circa 1820
Registration:  CO1350
Provenance:  Unknown
Chronology:  Xoo 600 - 800 AD
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Comments:  Effigy with the face of an old man with mask. See MCO 2702.
Glyphs:  A glyph C in the headdress.

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Key:  UBM CO1348
Actual Location:  Übersee Museum of Bremen, Germany.
Collection:  Stallforth, circa 1820
Registration:  CO1348
Provenance:  Unknown
Chronology:  Xoo 600 - 800 AD
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Glyphs:  A glyph C in the headdress.

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Key:  MFR 1487
Actual Location:  Frissell Museum, Mitla, Mexico.
Registration:  MFR 1487
Provenance:  Unknown
Measurements:  30 x 22 cm.
Color:  Grey with traces of red pigment.
Chronology:  Xoo 600 - 800 AD
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Comments:  Seated person wearing Cocijo mask.
Glyphs:  A glyph C in the headdress.

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Key:  SUAM 1997.167
Actual Location:  Stanford University Art Museum, San Francisco, United States.
Collection:  Donation: Shirley Hanberg
Registration:  1997-167
Provenance:  Unknown
Measurements:  55 x 40 x 27.5 cm.
Chronology:  Peche 500 - 600 AD
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Reference:  www.stanford.edu/dept/ccva/americas.html
Comments:  This piece accompanies two more: one that is at the Birmingham Museum in England (BIRM 1965.33) and another that is at the Rufino Tamayo Museum in Oaxaca, Mexico (MRT 3). There were probably four or five in total.
Glyphs:  Glyph C in the headdress.

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